It’s been designed for creating stereo width in a safe and flexible way. This week’s video is basically going to involve constructing a custom FX rack in Ableton Live. This is Danny Lewis, Course Developer and Tutor, here at PointBlank Online. Load the rack into Ableton, assign the macro controls to any midi control and you will be ready to go. Well here’s the good news… We have decided to give it away for free! We are sure you are itching to get your hands on Danny’s ‘Spreader’ rack to use it in your own tracks. įree Ableton Live ‘Spreader’ Rack Download Watch free exclusive tutorials on Point Blank’s sample course page. Learn more techniques such as this on our Ableton Sound Design course, an 8 week module that involves the creation of many bespoke effect and instrument racks. ![]() It is quite a lengthy video but this level of technical detail needs time to demonstrate.” ![]() Watch the video and you’ll see a demonstration of the effect first followed by a step by step construction of the device. It has individual pitch controls as well as a low and high cut along with a mono to stereo control to help you avoid phase issues. This is a complex effect with two separate chains for the left and right signal paths and features nested racks with a single set of Macro controls. So taking all this into account we thought we’d build a custom effects rack in Ableton Live that you can use to spice up certain elements in your mix. It’s always best to check in mono to be sure and if there is cancellation to make an adjustment of the parameters used to bring things back into solidity. This can result in a thinning out of the sound. What can happen to the sound? Cancellation is the main issue – where two sounds that are similar but slightly out of phase are played at the same time. You might be thinking that this won’t be an issue because mono disappeared in the sixties but some club systems are actually in mono. This delayed copy is placed at a different position to the source to create an illusion of an enhanced stereo panorama but this can cause problems when the track is heard through a mono system. “With earbuds being the lowest common denominator when it comes to monitoring is it any wonder people want a little bit of extra width in their productions? There are a variety of methods out there for getting more girth out of your sounds and most rely on some form of delayed copy of the original sound. This post was originally published in DJ Magazine’s free online edition DJ Weekly issue 105 You can watch how to make one of these here.Today Danny J Lewis creates a rack in Ableton Live to add stereo width to your mix. This Ableton tutorial makes use of the Sample Auditioner Rack. By automating the delay time with sync turned off some interesting pitched effects can be created whilst the start and end points are still perfectly in time with the beats. By using the calculation 60,000/ tracks BPM a quarter note delay is calculated and this is further sub divided down to 8th and 16th notes. The final technique uses Ableton’s ping pong delay set to re-pitch mode. ![]() Additional shuffle swing is added to the delay and the feedback and dry/ wet are adjusted to help the loop pump rhythmically with the beat. Both forward and reversed versions of the delay make for a smooth transition across the fill.Īn 8th note shaker pattern is used to help pick up the pace when the full loop comes back in and this is filled out by using Ableton’s simple delay playing a 3 16th note pattern. Automated frequency shifters and reverb are used to add additional interest and help the delays lead nicely into the drop where a pitched down version of the percussion is used to emphasis the full loop coming back in. The feedback on the delay is set just long enough to bridge a drum fill and is then bounced down to audio ready for further processing. ![]() This Ableton Tutorial covers the use of simple delay patterns for a variety of tasks in a track.Ībleton’s simple delay is used to create a rigid 8th note pattern from a single percussive hit.
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